Saturday, December 03, 2011

Why is it only ever conservatives who assert that a films politics have any bearing on its performance at the box office?

Oh for pity's sake...

Once again, conservatives are making noises about how Hollywood studios are pushing liberal propaganda, this time through children's movies. Of course, they mention that most about films that aren't doing terribly well, as if there's a cause and effect:

On its surface, Happy Feet Two is a cutesy sequel about a young penguin who is reluctant to dance. But could there be a radical left-wing agenda lurking below the arctic ice?

Some conservatives think so, The Hollywood Reporter reports, suggesting that the movie’s politics might be a reason why the film has been off to a sluggish start at the box office.



Or maybe, just maybe, I'm gonna go out a limb here and say maybe the film hasn't hit big because by most accounts, it isn't very good.

After Pixar head honcho John Lasseter revealed ahead of the opening of Cars 2 that the oil industry would be the “uber bad guy,” a blogger at LonelyConservative.com wrote this: “We conservatives and believers in free markets are accused of being paranoid when we say the Hollywood industry is trying to indoctrinate our children with left-wing propaganda. But now movie directors and producers are coming out and admitting what they’re doing. I’m just glad I found this out before I allowed my kids to persuade me to take them to see the movie Cars 2.”

Cars 2 this year, by the way, took in 22 percent less at the domestic box office than its predecessor did in 2006.



And maybe, just maybe, that's because it was the first Pixar film EVER to get bad reviews.

The U.S. military and Christianity are also favorite targets for progressives who make family movies, wrote Christian Toto at Human Events, citing, among others, DreamWorks Animation’s Monsters vs. Aliens and its character dubbed Gen. W.R. Monger.



Wait a minute. Okay, so the name is a not terribly good pun. But the character is heroic. He saves the other heroes at the end. Did this Christian Toto (that cannot possibly be a real name) even see the movie? Speaking of which-

Admitting upfront that I haven't seen it--anyone who has, you tell me if I'm wrong--but isn't there a case to be made that the 41.7 million-grossing Twilight Saga: Breaking Dawn Part 1 is an anti-choice parable?

What I've heard is this: The human girl becomes pregnant by the vampire. Carrying the child to term will almost certainly kill her, so the vampire suggests terminating it, but the girl refuses. Finally, in order to save her life during the difficult childbirth, he finally turns her into a vampire.

So, great, girls: No abortions, no exceptions to save the life of the mother. Of course, in this case, there's a supernatural "Get out of the real moral questions free" card to be played.

My point here is not that this movie is conservative propaganda. It may or may not be. Nor is my point that I wish it had been shunned on that basis. My point is: Liberals don't do that. I ask you, when was the last time you heard or saw a liberal crow about the failure of some "conservative" movie or other creative work? I mean, under the assumption that its conservative "bias" is what killed it?

Like sure, I'm not unhappy that the Atlas Shrugged movie flopped (nor, I must say, am I especially happy about this). But I assume it flopped not because it preached the virtues of selfishness or whatever (hell, there've been three or four big hit movies about pirates) but because, again by most accounts, it was a laughably bad movie.

It's a subject of recurrent fascination to me that many if not most conservatives seem to be incapable of viewing anything but through the prisim of their own politics. We liberals, on the other hand, just like to go to good movies.

Thursday, December 01, 2011

The "killers on the loose" movie that Mel Brooks would've made if he'd ever made a "killers on the loose" movie.

The idea at the heart of Tucker & Dale vs. Evil is so good I can't believe no one thought of it sooner.

Tucker & Dale are two good ole' boys, a little shy but inclined to be nice and neighborly, who are trying to enjoy a vacation in the mountains, when suddenly they find themselves confronted with a threat they never imagined--Yankee asshole college students! Just remember: These people are the "evil" part of the equation.


The kids imagine the titular hillbillies (now there's two words I never thought I'd use in that order) to be cannibalistic killers, and thinking themselves to be Bruce Campbell in Evil Dead types (the first Evil Dead, the one they tried to take seriously), rush in to "save the day" and end up taking themselves out one by one.


Our heroes!
It's...excellent.

Of course, a good idea (Pixar, talking cars!) does not always a good film make (the actual movie Cars). And boy does this one tread into some dangerous areas, always a risk when you're juggling tones. But the cast and crew develop the idea so neatly that almost everything falls into place.

Only in literally the last shot of the movie, to my mind, does the movie hurt itself. Obviously I can't get into specifics but I can say, at least, that this one slip-up does not invalidate the whole movie.

Incidentally, the film is set in West Virginia of the United States but was made by Canadlians. You won't notice the discrepancy, though, since the Vancouver or Calgary-spawn are pretty good at disguising their northern origins (they do it so they can sneak over the border fence and take our jobs).

Of course, there is that moment where one of our West Virginia heroes ends a sentence with the telltale "eh"...

So you're a woman, what's your point?

Tuesday, November 29, 2011

pretty model stands in a doorway

See, here we have another example of a photo which is clearly *supposed* to be sexy, but the pose is so strained it negates the natural sexiness of the model.

I swear I'm not going to rest until I get this phrase into the common language: Uncomfortable Women Are Not Sexy...

Things like this make me wish I could've taken him seriously when he talks

Via TPM:

Retiring member of Congress Barney Frank on the House under Republican rule:
“It consists half of people who think like Michele Bachmann and half of people who are afraid of losing a primary to people who think like Michele Bachmann and that leaves very little room to work things out.”

Sunday, November 27, 2011

Now is that a beautiful picture or what?



I'm afraid I don't know much of the context, just that it is a young Iraqi girl.

Friday, November 25, 2011

And a few things for which I'd LIKE to be thankful (shameless plea)...

If you’re amazed at the quality of posts on this site (I know I am), please consider making a small donation to the Buy Ben Books, Music, CDs & Movies Fund.

I do have an Amazon.com Wish List, you know (look, there it is over on the left). In addition, these items appear on my iTunes version of same--to which I never did figure out how to link:

UB40: Greatest Hits
20th Century Masters: Grace Jones
After Eight: Taco
Please: Pet Shop Boys
Chorus: Erasure
Men and Women (Expanded Edition): Simply Red
Islands: Kajagoogoo
Opening Credits Laptop

I thank you.

How about some Monty Python for your "Black Friday" morning?

Thursday, November 24, 2011

A few things for which I am thankful...

In, as usual, no particular order.

The 99% movement
My friends
Sarah Jane Smith/Elizabeth Sladen
My West Wing DVDs
Keith Olbermann
Rachel Maddow
The unreasoning stupidity of my nemeses
That my local library carries lots and lots of "elegant comic books" (some people call 'em "graphic novels")
Keitha and Annabel, as always
The nephew, with whom I'll be seeing The Muppets this afternoon
iTunes and my iPod
My blogs
Finding a city worker who actually helps me
Erasure mixes
My cat
My mothers' cat
Wolves
Dolphins
Otters
Jesus Christ Superstar, the movie
Kristen Stewart, Ashley Greene, Pink, Salma Hayek, and so on and so forth...
Bananarama
Star Wars: The Force Unleashed, even though I've come to think that the story will never be resolved...
Marc Maron's WTF
And yes, still, Saw
Courtney Love
And, what the hell, Facebook.

Wednesday, November 23, 2011

"Melancholia" is not about depression

Melancholia is a very dark film...but ultimately in a nice way.

Actually "nice" isn't quite the right word--better to say that although it looks fairly unrelentingly at the dark, it does not scorn the light, strangely does not wallow in misery.

However, that said, fair warning: There's a famous quote from Francis Ford Coppola who said of his film Apocalypse Now, referring at least in part to the mind, body and soul-breaking experience of making it:

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"My film is not about Vietnam, it is Vietnam."


Well, Melancholia is not about depression. It is depression. It gets misery so right that it literally sickened me (insert here joke about my stomach for the Saw films' gore).




Yet in the end, by the very end, I felt spoken to. As though someone had painted a portrait (and the look of the film is quite painterly) in which I recognized...oh what the hell, I'm just going to dive into pretension here-part of my soul.



(This is as good a place as any to link to this NPR interview with Dunst about the film.)

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That it does not overindulge in the blue colors is due in part, but only in part, to Kirsten Dunst. In what I take to be an imaginary sequence at the films' beginning, she is shot so lovingly that she instantly gained my affection.

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Which was good, because the character was going to need it.



Incidentally, this is what I mean by painterly.


You kind of expect that it will be dark, given the title, and if you go in knowing something about the plot: A young woman tries to fight off her depression long enough to enjoy her wedding night...while the end of all life on Earth is in the stars.

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Obvious but necessary statement: Dunst is a woman now. Obviously in physicality, she's been one this whole century (yes, even when she was "Bringing It On")--but what I'm referring to is the female human adult that this film lets her step into playing.

The difference between this and arguably her most famous roles as the attractive, nay beautiful Mary Jane in Sam Rami's Spider-Man films

and the cheerleading captain in Bring It On, is night and day.

Much of the talk here and elsewhere about this film is about Dunst; with good reason, but I must remind myself not to be stinting in my praise of Charlotte Gainsbourg who has the less-showy, maybe even more admirable performance.

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She's Dunst's sister who tries to do the decent thing but deep, deep down suspects that her sister may be right about the meaning of lives (not a typo) or lack thereof.

Life is only on Earth. And not for long.


I was not crazy about the first (and last) Lars von Trier movie I saw, which was Breaking the Waves, another film about a mental breakdown and a marriage.

Ondas do Destino by vcheregati
Ondas do Destino, a photo by vcheregati on Flickr.





I'm afraid I just couldn't see how nobody in the coastal town of that film would help Emily Watson's clearly distressed young woman.

No matter how buried their collective throats were by the boot of religion.

A similar question pops up here through the first half of the movie, namely, has no one in Dunst's circle heard of Prozac? In the second half, though, as the movie's spotlight of destruction widens out from just the one person to the whole world; then contracts again to just a few...Prozac hardly would've spoken to the reality of the situation.

Tuesday, November 22, 2011

In that case, guys, you should have no objection to opening your mouths and letting us spray a shower of the stuff right in there, should you?

On Monday night, O’Reilly Factor host Bill O’Reilly and Fox News host Megyn Kelly sat down to discuss what really happened at UC Davis on Friday and whether campus police acted appropriately in showering a group of sitting students with pepper spray. Their conclusion? No big deal.

“Pepper spray, that just burns your eyes, right?” O’Reilly asked Kelly.

“Right,” Kelly said. “I mean, its like a derivative of actual pepper. It’s a food product, essentially.”

Sunday, November 20, 2011

...and the cause of same

11/365: Shower Paranoia...

11/365: Shower Paranoia by Betsssssy
11/365: Shower Paranoia, a photo by Betsssssy on Flickr.

Have you ever wondered what all the Disney princesses would look like as mermaids?

No, I hadn't either, but this artist has, and did kind of a nice job with it, too.


Disney's Pinup Mermaids by *erikasss on deviantART

How attitudes to women do change

See, now, I know this is just supposed to be a little cheesecake. And lord knows I'd be a hypocrite if I said I were opposed to that. But still, looking at this piece of artwork from the late 1950's, I can't help thinking it looks like it should be captioned...



..."Prelude To The Afternoon Of A Rape."

Saturday, November 19, 2011

Why "Star Wars" fans are dumbasses

From page xiv of the introduction to the book A Galaxy Not So Far Away: Writers and Artists on Twenty-five Years of Star Wars, by that volume's editor Glenn Kenny:

Kevin Kline's character in The Big Chill has a much quoted "no good music since year X" line that I can't bring myself to quote accurately, as it would mean looking at the movie again...


The accurate quote is actually this exchange of dialogue from Kline's character and Jeff Goldblum's:

Michael: Harold, don't you have any other music , you know, from this century?
Harold: There is no other music, not in my house.
Michael: There's been a lot of terrific music in the last ten years.
Harold: Like what?


I pulled that from the IMDb page, but I could've done it from memory, because even though as a rule, I hate boomers, I happen to love that movie. Go figure. I am large, I contain multitudes. For example, the title of this entry notwithstanding, I'm something of a Star Wars fan.

But anyway, that Kenny clearly doesn't love a movie which I do is not why I've made him exhibit Z (or whatever) in my case for why Star Wars fans are dumbasses. For that, we have to go two pages later, and read this from page xvii:

Empire's dialogue was a lot snappier than Star Wars' (I like to think that a lot of what I enjoyed in Empire was due to the participation of veteran screenwriter Leigh Brackett...


Glenn, Glenn, Glenn. You're making this all too easy, Glenn.

If I may hit you with a few more quotes, these are from the Lucas bio Skywalking:

Lucas had one lengthy meeting with Brackett to outline the story and turn his notes over to her, and by March 1978 Brackett's first draft was done. It was also her last-she died of cancer two weeks later.


One meeting. One draft. Still, I'm sure Brackett's participation is what paid off in enjoyment for Kenny and most others, including myself. Except that:

Lucas shelved Brackett's script and started anew. If he could get a new first draft done, he could turn it over to a new writer, and they could pass versions back and forth until Lucas was satisfied.


But who would be his new writer? Well, a few months later, one Lawrence Kasdan turned in a screenplay Lucas had hired him to write for something called Raiders of the Lost Ark, and he and Lucas went to lunch...

Lucas abruptly launched into the story of Leigh Brackett's untimely death, his problem with Empire, and his need for a writer to polish the new draft. He'd be happy to give Kasdan screenplay credit in Empire (Lucas planned to take none himself) but asked whether Kasdan would mind sharing it with Brackett. He wanted her estate to benefit from a profit percentage of the film.


And that was, indeed, how the writing credits for Empire ran: Leigh Brackett and Lawrence Kasdan, (screenplay); George Lucas, (story).

So then, who's responsible for the snappier dialogue and other joys missing from Star Wars that appeared in The Empire Strikes Back? Well, clearly, demonstrably, Kasdan.

Who is also screenwriter, co-screenwriter and/or the director of a dozen-plus other movies, including, what?

The Big Chill.

I repeat: Star Wars fans are dumbasses.

Tuesday, November 15, 2011

Quick quiz: How many of you remember...

...when I mentioned that Jennifer Connelly's husband is sexually insecure?

On a completely unrelated matter, his next role will have him playing, and called, a "Master of Sex."

Monday, November 14, 2011

I'm sure I wasn't the only one

But for the record, yesterday I sent the Keith Olbermann show's contact email address a link to this story about Ford's Theater "banning" Bill O'Reilly's Lincoln book for factual inaccuracies.

I figured it was right across Olbermann's strike zone (did I use that metaphor right?)

Sure enough, on tonight's show...



Now, as I say, I'm quite sure I'm not the only one to have thought of that. Plus Keith and/or his staff probably would've found it anyway. But...

Happy Birthday, Wendy Carlos!

I've seen Tron Legacy three times now. You know how with some movies...you like them when you first see them, especially if it's one you've been looking forward to for a long time. But then with repeated exposure, you realize they're not terribly good movies (cough, Saw V, cough--although Saw 3D makes Saw V look like Saw III. But I digress.)?

My point is, Tron Legacy ...is not one of those movies. I still like it a lot, at least as much as the original; in some ways, even more so. But one place in which it doesn't even come close to topping the original is in its score. If I had the know-how and the equipment, I think I'd dub myself a version of the new movie that used Wendy Carlos's music in place of Daft Punk's, as much as possible.

Nothing against Daft Punk. It's just that, as most of you know, I'm a big fan of Carlos' score for the original Tron, and consider it a key factor in shaping my love for electronic, synthetic music. So naturally here, in celebration of Carlos' 72nd birthday, is a theme from Tron played by hand on a genuine guitar.